I guarantee you can install Maxon Red Giant PluralEyes 4.1.11 successfullyif you follow that instruction. Inside folder Maxon Red Giant PluralEyes 4.1.11, already have crack’s file and instruction how to install Maxon Red Giant PluralEyes 4.1.11 step by step. Please see youtube video for download instruction by open *.txt file and copy youtube video link paste to your browser If you don’t know how to download. The download link is appeared automatically when you complete check out. If you want to download Maxon Red Giant PluralEyes 4.1.11 full license, please click to DOWNLOAD symbol and complete check out a little help my website is maintained. No clapboards or timecode are needed.įeatures of Maxon Red Giant PluralEyes 4.1.11 With a touch of a single button, This program analyzes the audio from your cameras and audio devices and syncs them up, in seconds. Save time and money, reduce frustration, and free yourself to focus on the creative editing process. It works with your favorite video editing tool to instantly sync all of your multi-camera video and audio tracks eliminating complicated camera set-ups, timecode, and hours of tedious manual syncing.
Working with Maxon Red Giant PluralEyes 4.1.11 fullĭescriptions of Maxon Red Giant PluralEyes 4.1.11 PluralEyes 4.0 is available for $299 standalone, and for $399 as part of Shooter Suite 13.Download Maxon Red Giant PluralEyes 4.1.11 full license Link download Maxon Red Giant PluralEyes 4.1.11 full crack But having all that functionality now available within Premiere has made a fast and enjoyable process even more so. Previous versions of the software had performed well for me in the past as standalone apps: there was something very satisfying in seeing all those clips rearrange themselves in a matter of seconds. Shooting live music is one of the many applications for which a tool like this fits just perfectly, and all in all, I was very happy with PluralEyes 4.0. PluralEyes 4 Hands-on Experience: Conclusion They were all being recorded separately to different devices. You can watch the end result here: In addition to Maria’s dynamic microphone, I had a pair of small diaphragm condenser mics recording Samuel’s guitar and another pair of microphones recording room ambience.
The setup consisted of 3 cameras-2 recording in 4K and the other in HD-and of course their respective audio. I had to keep the setup simple due to the space constraints in the office but I also wanted to give PluralEyes enough to chew on, so to speak.
They are a couple of very talented, Vienna-based musicians originally from Honduras, and they were happy to drop by to perform an acoustic version of their upcoming single. With very little time to plan, I remembered that my good friends Maria Jose and Samuel just happened to be playing a gig near the Cinema5D office. I was particularly interested in PluralEyes’ integration with Adobe Premiere Pro. The folks over at Red Giant were kind enough to provide us with a copy to try, and I decided to put the software to test. Tim’s article from last month covered PluralEyes within this release extensively, so do have a read if this announcement managed to pass you by. Red Giant recently released their Shooter Suite 13, a collection of utility plugins that can help you at several stages of post-production. Today we’re trying out Red Giant’s newest version of their audio syncing plugin, PluralEyes 4.0, and testing how it stacks up against Premiere’s native sync tool. keyboard_arrow_rightGear Guides by Budget.keyboard_arrow_rightGear Guides by Type.keyboard_arrow_rightCameras of the Year.